P2P/Keygen-Audiowarez | 08.2024 | 2.6 GB
英文简介：
Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.
New features and updates in Live 12
Play freely with ideas
MIDI Transformations
Create a variety of simple or complex variations to your MIDI clips: add ornaments and articulations, draw acceleration and deceleration curves, connect successive notes and chords, or simulate the strum of a guitar.
MIDI Generators
Conjure up melodies, chords and rhythms with new MIDI Generators. Give your chosen Generator custom constraints, watch it create playful and original patterns, and then turn the ideas it produces into your own.
Max for Live MIDI Tools
Max now facilitates even greater experimentation, letting you create new MIDI Transformations and Generators – either based on existing ones, or your own creations.
MIDI Editing Improvements
Arrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes; transpose them into a scale; or add intervals chromatically or in key.
Keys and Scales
Set the selected clip’s scale in Live’s Control Bar to see its notes in any clip you create. Then edit the clip using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Any changes in Live will be reflected in Push, and vice versa.
Expanded probability
Assign a single probability rule to a group of notes so that the entire group of notes is played whenever the trigger is fired. Or select a chord and tell Live to randomly play one note from it whenever the probability trigger is fired.
Embrace and explore tunings
Follow your preferred tuning systems or try different ones more easily. Work outside the 12-tone equal temperament system, and access tunings with Live’s devices as well as any MPE-capable plugin.
Surprise yourself with the sounds you create
Meld
A bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators.
Granulator III
The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real time and start manipulating it immediately.
Roar
Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with a feedback generator and an extensive modulation matrix.
New Modulation Behavior
Modulation destinations are no longer taken over by the modulation source. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters.
New Packs
Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects.
Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it.
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