WIN | 21,4 MB
英文简介：
BALLTEARER
BALLTEARER is a 1 op FM synth featuring a Randomator and a Sweeper
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BRAINkILLER
BRAINkILLERmini is a virtual analog synth, including big unison and built-in distortion effect.
2 oscillators with Saw, Pulse and Ramp waveforms.
Noise oscillator.
Low CPU unison.
State-Variable filter with simultaneous Low-Pass, High-Pass, Band-Pass and Band-Reject output.
6 Stage Modulation Envelope.
2 tempo-synced LFO, each with 16 waveforms.
Distortion and 32-step Gate effects.
Modulation Matrix with 13 modulation sources and 18 destinations.
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BRAINkILLERmini
BRAINkILLERmini is a virtual analog synth, including big unison and built-in distortion effect.
2 oscillators with Saw, Pulse and Ramp waveforms.
Noise oscillator.
Low CPU unison.
State-Variable filter with simultaneous Low-Pass, High-Pass, Band-Pass and Band-Reject output.
6 Stage Modulation Envelope.
2 tempo-synced LFO, each with 16 waveforms.
Distortion and 32-step Gate effects.
Modulation Matrix with 13 modulation sources and 18 destinations.
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COLDkILLERmini
COLDkILLERmini is a drawable waveform additive synth.
Its additive oscillator has 31 partials and a range of editing tools.
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killerGATE+
killerGATE+ combines many synths elements into a handy multi-effects unit.
It should be used as an insert effect.
expanded GATE
State-Variable Filter with resonance,
Distortion with Wet/Dry mix controls
LFO
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NitrousNEO
NitrousNEO features 2 Quad Oscillators with pulse-width modulation and FM.
Its super-compact UI is designed to maximise workflow without making it too hard to work with, thanks to large, well-spaced knobs and obvious, simple to use minor controls.
2 Quad Oscillators with pulse-width modulation and FM.
Unison, optimised for "massive, phatty goodness".
State-Variable filter with Low Pass 12 and 24dB/octave and 12dB/octave High Pass, band Pass and Band Reject modes.
2 ADSR envelopes, both with multiple interpolation modes [slope] with looping on the modulation envelope only.
Tempo-synced LFO with 5 modulation destinations [3 available simultaneously].
VCA with Mono/Poly modes and Portamento [mono mode only].
Extensive routing for velocity modulation and Mod Wheel control.
16-step programmable Gate Modulation source, assignable to phase mod, filter cutoff and volume [trance-gate].
New RARP uses the Gate sequence to create random note variations over a user-definable range [0 to 2 octaves].
Overdrive effect.
MIDI "Learn" eliminates the need for MIDI CC assignments.
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NitrousPD
NitrousPD is a Phase Distortion synth with a full subtractive signal path and a wealth of modulation options.
Its super-compact UI is designed to maximise workflow without making it too hard to work with, thanks to large, well-spaced knobs and obvious, simple to use minor controls.
Phase Distortion Oscillator with two wave generators, each offering 7 different waveforms.
State-Variable filter with Low Pass 12 and 24dB/octave and 12dB/octave High Pass, band Pass and Band Reject modes.
Two ADSR envelopes, both with multiple interpolation modes [slope] with looping on the modulation envelope only.
Tempo-synced LFO with 5 modulation destinations [3 available simultaneously].
Randomator modulation source for more natural sounding patches.
VCA with Mono/Poly modes and Portamento [mono mode only].
Extensive routing for velocity modulation and Mod Wheel control.
16-step programmable Gate Modulation source, assignable to phase mod, filter cutoff and volume [trance-gate].
New RARP uses the Gate sequence to create random note variations over a user-definable range [0 to 2 octaves].
Overdrive effect.
MIDI "Learn" eliminates the need for MIDI CC assignments.
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NitrousPM
NitrousPM is a 2 oscillator virtual-analogue synth with high quality oscillators and a wealth of modulation sources.
Its super-compact UI is designed to maximise workflow without making it too hard to work with, thanks to large, well-spaced knobs and obvious, simple to use minor controls.
Two high quality SyncFX oscillators from Chris Kerry with 11 waveforms and Phase Modulation.
Unison, optimised for "massive, phatty goodness".
State-Variable filter with Low Pass 12 and 24dB/octave and 12dB/octave High Pass, band Pass and Band Reject modes.
Two ADSR envelopes, both with multiple interpolation modes [slope] with looping on the modulation envelope only.
Tempo-synced LFO with 5 modulation destinations [3 available simultaneously].
VCA with Mono/Poly modes and Portamento [mono mode only].
Extensive routing for velocity modulation and Mod Wheel control.
16-step programmable Gate Modulation source, assignable to phase mod, filter cutoff and volume [trance-gate].
New RARP uses the Gate sequence to create random note variations over a user-definable range [0 to 2 octaves].
Overdrive effect.
MIDI "Learn" eliminates the need for MIDI CC assignments.
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NOVAkILLER
NOVAkILLER is a 2 osc analog synth.
It is a fairly straightforward synth with a few interesting and less straightforward tricks in the oscillator which give it a good range of possibilities.
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PISSCUTTER
PISSCUTTER features SynthEdit’s chunky Phase Distortion Oscillator, which offers two separate waveforms.
It is similar to Casio’s CZ digital synths of the 1980s and is capable of producing a wide range of usable timbres with relatively few controls. While CZ synths relied solely on phase distortion to create sounds, PISSCUTTER also has a flexible filter section to enhance it’s potential. Low-Pass (12 or 24dB/Octave slope) and Band Reject (Notch) filters can be mixed in mono or, by using the new X-Pan feature, in a full stereo signal path.
A new Modulation Envelope features multiple interpolation methods and can be looped for long pads. There are two separate overdrives in the signal path and a single LFO is augmented by a couple of new modulation sources.
The Sweeper is a specialised LFO and the Randomator (there are two of these) offers random variation to many settings, for a more human/natural feel (or craziness).
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RIPSNORTER
RIPSNORTER is a analog synth, featuring Chris Kerry’s excellent Unison Oscillator, which include PWM on all waveforms except Sine.
The Oscillator feeds into a multi-mode filter that provides both Low-Pass and Band-Reject [Notch] outputs at the same time. X-Pan allows for a stereo signal path, with the Low- Pass output sent to one channel and Band-Reject to the other. There are plenty of modulation options which should allow you to create a broad range of useful timbres. The UI is slightly different from others in this range, in order to fit in a more comprehensive distortion set-up.
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ULTRAkILLER
ULTRAkILLER is a hybrid synth using subtractive and/or additive synthesis.
It has 2 oscillators, each of which offers multiple forms of synthesis. They run through 2 independant multi-mode filters with multiple routing opportunities. 3 envelopes, 2 LFO and a modulation matrix make for almost endless possibilities.
Each oscillator gives a choice of 3 oscillator types:
BASIC oscillator is just that with 7 waveform choices.
UNISON oscillator has 11 waveforms and built-in Unison [low CPU use].
SPECTRAL oscillator is a high quality additive oscillator.
Unison mode with up to 7 voices.
Oscillator Hard Sync.
Two State-Variable Filters with complex stereo routing options and mixable Low-Pass, High-Pass, Band Pass and Band Reject filter modes.
2 x 6-stage Modulation Envelopes with looping and assignable interpolation modes.
2 x tempo-synced LFO.
2 x Randomators [accessed from Mod Matrix].
Dedicated ADSR envelope for VCA stage.
2 separate overdrive stages, one per oscillator and one post-VCA.
Built-in Gate effect.
8-slot Modulation Matrix.
Full MIDI CC implementation.
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