Westwood Instruments Novella Origin KONTAKT

Small but mighty
The heart of the library is a distinctive 9-piece string section. Small and intimate but mighty when you need it to be.

4 individual sections with legato and dozens of stunning articulations including our famed improvisations. Also includes an ensemble instrument with an amazing selection of pre-orchestrated chords.

Carefully recorded in place to give a naturally balanced stereo image, where everything sounds great out of the box.

Natural legato
All of the four sections have been recorded independently, with true legato over 3 octaves or more. We asked the string players to perform every single transition between notes in the most organic and spontaneous way they could. This way you get a natural sound and one that more closely represents a real performance.

On the cellos, violas and violins, there is also VIVID LEGATO created using the Vivid Improvisations, for a more naturally expressive sound that has a human and emotive performance built-in.

Improvisations
With the Violins, Violas and Cellos we captured 2 styles and 3 round robins of our famous Improvisations. Move in real-time between GENTLE and VIVID performances. With the players in their own sections improvising around each other, there’s a cohesive and fluid sound to each one, which feels alive and full of natural energy.

Folk-inpired voices
Four beautiful alto voices, originating from a folk background. These voices are both elegant and fearless. Perfect for adding a very human element to your music.

The choir begins with a range of Improvised performances, where you can control the intensity of singing and the vowel sounds.

There are also 2 shorter percussive vocal performances and a technique we call Chatters. This has an unmeasured, Scandi vibe and carries a real sense of tension and motion.

The vocalists include Maddie Morris, who has won a BBC Young Folk award and Iona Lane, an amazing Scottish folk singer-songwriter whose recent album charted in the UK Official Folk Album chart.

The edge of breakup
An electric guitar tuned to Eb (if it’s good enough for Jimi), recorded through a vintage American, all-valve combo amp, cranked just to the edge of natural breakup.

A classic single-coil neck pickup sound, played with a variety of techniques. A great instrument for a leading melody, or simply adding accents and interest.

To compliment the same techniques in the other instruments there’s two unmeasured articulations, which stack multiple takes to create a thick and muddled soundscape.

A gentle giant
A Yamaha U3 upright piano that feels like a baby grand. We recorded it with a soft cotton sheet between the hammers and strings. A beautiful sound that feels big and open, but doesn’t overwhelm the other instruments. And unlike a fully felted piano, doesn’t disappear in a busy mix.

We had the piano tuned exactly 3 months before recording. To us this is the perfect length of time for the sound of the tuning to become really interesting. (In tune but a not quite, if you know what we mean!) The piano was recorded with separate pedal up and pedal down samples as well as individual controls for the piano noises.

Presented in the instrument are pedal down only samples for those that love this more resonant sound. There’s also a patch called Dust Piano. This is a noisier, atmospheric performance when you want something softer with a bit more vibe.

Electric sounds with soul
36 original sounds crafted from a Sequential Prophet 5. An analogue synth designed in the 70s, it has an unrivalled organic sound. Used on countless amazing records by artists like Kraftwork, Radiohead and Aphex Twin.

These are the ideal electronic moods to match the feel of the rest of the library. As ever here at Westwood, some of the sounds were put through guitar pedals and other methods to push the sounds even further.

Wrapped up in a synth specific version of our Evergreen framework, you can craft and change the sounds to make them yours. But we think they sound great, just as they are.

Bamboo & Beaters
A big, open drum kit recorded twice for two distinct vibes. One played with bamboo broomsticks for a tighter, jazzier sound. The other with felt beaters and the snare-wire off for a more orchestral influenced sound.

A drum sound that takes its inspiration from a handful of alternative soundtracks from the 70s through to the modern day. A beautiful Ludwig kit tuned really loosely with big washy Istanbul Agop cymbals.

There’s separate left and right handed snare samples, and don’t worry; there’s plenty of velocity layers and round robins to keep everything feeling alive. There’s also a useful section of natural cymbal swells using the felt beaters.

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